Hausfrau-in-Residence

Now and then I'm seized by an urge to do housewifely things  (such as cleaning the windows or mending a sock): a dangerous  occurrence altogether, which usually passes as quickly as it arrived.  Yesterday another such bout came upon me, and I decided to make full use of it. Firstly, I baked a delicious cake (as seen above); then I  hauled my Afghan rug out for a good airing (in which task I was assisted by my landlord's dog, who wanted to give the rug a good shake); and if all this housewifery hadn't been enough, I spent an hour or so wrapping the first Xmas present I'd bought (the results of this endeavour, I guess, cannot be aired in public before the recipient has actually seen them first).

A few years back I picked up an intriguing book at a local fleamarket. It's called Joka naisen niksikirja from 1952. As far as I know, these housewives' manuals have been published since time immemorial, and the Niksikirja something of a institution in Finland (don't know whether any of these editions are still in print). The copy I've got came with extra household tips (cut out from magazines and glued to the covers and empty pages by the previous owner) - and even a letter (remember those?) written in the spring of 1971 by someone called Sylvi. To my disappointment, it doesn't deal with scandal or even the tiniest bit of gossip, but mainly details the various health problems of its writer and her husband.

What fascinates me about this book is (in addition to its dated beauty tips) its emphasis on recycling. Nothing is wasted, be it old socks or leather gloves (the first, among other things, can be used to line a jacket, the latter to make a handy (heh) neckwarmer for winter). Sour milk is still good for cookies, and dried apple peels make refreshing tea.

Nowadays it's harder to make new things from old things. What to do with a burned-up hard drive? How to give a memory stick a new life? Pantyhose, of course, are an inexhaustible source of recycling fun, but surely other clothing items could be recycled as well? I try to mend whatever clothes I can (with my limited skill), but it's just so much easier to throw the old garment away, and buy a new one.

To get you, random reader, into the right spirit of good housekeeping and rejoiceful recycling, here are some miscellaneous vintage tips, gleaned from the treasure trove that is Niksikirja.

• A cup of strong, good coffee makes mutton juicy, and shortens the cooking-time considerably.  I might try this next time I'm cooking mutton.
  
• Velvet can be washed in potato water (1 kg shredded potatoes, 5 litres water).  I'm not sure I'd try this, but sounds intriguing. I wonder who came up with this idea?
• Wet shoes should never be dried with their soles against the floor, but on their sides. Also, filling the shoes with hay or oats dries them quickly.  Sounds like a great idea, but where can I get some oats every time I need to dry a shoe?
• A glass of honey-and-water is wondrously invigorating! Oh, I agree. 
• If you have trouble falling asleep, try eating something. Lingonberries, for example, are very effective against insomnia. What? 
• If you don't have time to wash your hair, you can brush some rye flour into your scalp. Yes, but how do I get it out of my scalp? 
• Walking a sheep on a leash is difficult, but if you rinse its eyes with water, it follows you willingly even for a long distance. Now where can I get a sheep to try this out on?! And what else would you rinse someone's eyes with but water...?
  

Before the Snows Came

I can feel myself slowing down with the darkness: everything feels just a little bit duller, and all chores take just a bit of more time to get done - or even to get started. 

At least I managed to take some new pictures before the snow fell and changed everything into a slippery slush. Lately most of my photos seem to be of the same place - the nice bit of forest nearby, with its nice bit of pond. Water is such a great element, as it keeps changing so radically with the season (and the weather), providing always something new to look at. 

So that's what I've been doing lately. Gazing into ponds.

And also listening to some Bach.

Baroque rocks.

Thought for the Day

Winter is icummen in,
Lhude sing Goddamm,
Raineth drop and staineth slop,
and how the wind doth ramm,
Sing: Goddamm.
Skiddeth bus and sloppeth us,
An ague hath my ham.
Freezeth river, turneth liver,
Damn you, sing: Goddamm.
Goddamm, Goddamm, 'tis why I am, Goddamm,
So 'gainst the winter's balm.
Sing goddamm, damm, sing Goddamm,

Sing goddamm, sing goddamm, DAMM.


"Song" by Ezra Pound. Modelled after this  little ditty.

Anyway, I'm off to the North for a few days.

...let me in-a your window-who-ho-ho

Over at The Pursuit of Harpyness people are discussing their favourite  19th century novelists (such as the Brontës and Jane Austen) - and especially their favourite male characters in these books.  Most deny that they have ever spent breathless hours reading about  (or even better, making up) the exploits of Heathcliff and Mr. Rochester. Mr. Darcy, on the other hand, is much more warmly regarded; many feminists would be ready to set their cap at good old Fitzwilliam - and rightly so, for he's the only one of the three who hasn't got dark secrets cluttering up his past (or indeed his attic at Pemberley).

I have to make a confession: for me, the Brontë heros (especially Heathcliff, but also Mr. Rochester) were the stuff of teenage fantasy; Mr. Darcy, on the other hand, has always left me cold. However, having developed a somewhat maturer look on life and relationships, I can now wholeheartedly agree with the commentators of PoH: Messrs. H and R are complete gits.

Deep and dark and broodingly sexy as they might be, their world revolves around their own needs and desires - and anything (be it a mentally unstable wife or a completely innocent bystander) that gets in the way of these must be removed, usually by force. They have unhealthy obsessions, and unnaturally strong passions, which are taken out on other people (again). And yet, they attract perfectly sensible, self-possesssed women who seem to think they can bring out the best in these men. Whatever that may be.

Maybe it was the corsets. Anything that restricts your circulation can't be beneficial to your mental processes, either.
 

It's impossible to say what kind of protagonists Emily Brontë would have chosen for her next novel, but her big sister didn't show much improvement in her taste in men -  Villette for one has another bullying despot as its male lead, and another forgiving lady willing to prop up his ego. I don't know if anyone has ever has the hots for M. Paul - at least Mr. Rochester has the good manners not to patronise Jane Eyre so blatantly  (and as a reward only gets blinded and has his arm chopped off, whereas M. Paul - at least according to my reading - doesn't survive the old Brontë treatment).

Anne Brontë was perhaps the most sensible of the three - at least when it comes to the representation of men in her work. Hark! A Vagrant illustrates this beautifully: Dude Watchin' with the Brontës, ladies and gentlemen.

As to Jane Austen men, I can't say that I've been much moved by any of them (unless we're talking about the film versions. If so,  Colonel Brandon is my man). Perhaps it's got something to do with the stiff manners and the stilted sentences of the period, or the slightly stock-like nature of Austen's heroes (the protagonists have to get married in the end, after all); thus, while reading Sense and Sensibility, Emma, or Northanger Abbey, my attention mainly remains with the thoughts and feelings of the female characters.

Persuasion is the exception here: Captain Wentworth is a very intriguing character (with his Past and all), and a worthy equal of the poised Anne Elliot; he's made his mistakes in the past, and is not willing to be swayed by anyone's opinions (at least when it comes to choosing a wife). He's a bit gruff, but at least I get the feeling that he can also laugh at himself (a trait Mr Sourpuss Darcy certainly doesn't possess). And he's got a big ship.

Although P&P is undoubtledly the most sparkling of Austen's novels, Persuasion has got a quiet dignity that I like, and also some  brilliant insights into human nature. The final conversation between Anne Elliot and Captain Harville is a gem:

"Yes, yes, if you please, no reference to examples in books. Men have had every advantage of us in telling their own story. Education has been theirs in so much higher a degree; the pen has been in their hands. I will not allow books to prove anything." 

"But how shall we prove anything?"

"We never shall. - - It is a difference of opinion which does not admit proof. We each begin, probably, with a little bias towards our own sex; and upon that bias build every circumstance in favour of it which has occurred within our own circle - -." 

And in case you've no idea what the title of this post refers to, I can only say that you've missed one of the finest pieces of popular music ever written: 

British Comedy Season, Pt. 1: Monty Python

I did promise a couple of weeks ago to start a series of posts about my favourite British comedy shows, and in case anyone is wondering whether I've forgotten this promise, I can now confidently answer: no, I haven't.

Although I'd watched loads of British comedy before I was aware of Monty Python - and although there were many brilliant TV comedies before The Flying Circus came along (chronologically speaking), I think no other show has had quite the same influence (on me, or on British comedy) over the years.  Also,  as it's now the 40th anniversary of the first broadcast of the series, so I think Pythons are a very good place to start.

For me, the first encounter with the Python phenomena didn't come through the TV series,  but through the films. When I was around 17, YLE broadcast The Holy Grail and The Life of Brian, and especially the first of those hit me over the head with the proverbial rubber chicken. To this day, it's one of the few films I know by heart, and quote at unsuspecting people (the only other films are A Hard Day's Night and Help!. I suppose I was a bit of a Beatles geek as a teenager).

There are so many brilliant bits in The Holy Grail that it's hard to pick only one. However, the Knights Who Say 'Ni' sequence is one of the highlights of the film, as it includes not only the bewildered King Arthur and his long-suffering entourage, the wonderfully silly Knights, and Roger the Shrubber - but also Brave Sir Robin and his minstrels (who get eaten towards the end of the film. There are just so many random elements around that it's amazing they hang so well together.

After wearing out the VHS tape on which I'd preserved both of the aforementioned films, I finally got to the real thing - the Flying Circus TV series, which of course blew me away (and gave me loads of whole new quoting material). I generally like the more 'literary' stuff (like the sketch in which John Cleese and Graham Chapman - dressed as suburban housewives - get into an argument about existentialism, and sail to France in order to ask Jean-Paul Sartre which one of them is right); the 'Dead Parrot' sketch, for instance, is a bit too shouty and violent to my taste. However, one of my absolute favourites is the 'Cheese Shop' sketch, which works along similar lines, but is much more clever and verbally acrobatic (it also features some lovely dancing).

After watching this, I always get a craving for Venezuelan beaver cheese, for some reason.

As there's so much good stuff to choose from, it's nigh impossible to name my absolute favourite Flying Circus sketch. This court scene one, however, encapsulates many things that I adore about Monty Python. It's got Eric Idle giving a mock-Olivier address to the court, John Cleese hopping about in wig and gown, Graham Chapman both as a voluable lady and a keen-eyed police inspector, and Michael Palin as Cardinal Richelieu (complete with pink robes and a personal microphone). Yet my favourite bit comes at the very end.

A guy in a suit of armour, wielding a rubber chicken. That would come in handy at my Doctoral defence ceremony, as a kind of rhetorical device - in case my carefully prepared argumentation fails to impress the audience and my opponent. 

(In case any of my friends are reading: this is what I'd like for Christmas. One suit of armour, one rubber chicken, and someone willing to act as a rhetorical device in the near future. Please.)

Lady in Black Eats off Swedish Plates

Here's what I accomplished today. After a couple of hours of babysitting M's daugther (with M safely in the same room, having her hair dyed) I took a turn in the local charity shop. My intention was to find something suitable to wear at my colleague's post- doctoral defense dinner: something rather more formal than the stuff currently lurking in my closet.

Now I'm the proud owner of a lovely black velvet dress - the first black dress I've ever owned. As can be gleaned from the photos, it's not entirely black (which made it less threatening for me), and judging by the label, it's none of your  usual [your favourite Swedish clothing chain] stuff. It cost me 6 euros.

Not bad, eh? Coupled with my 20s necklace it'll look right classy (and in a Viking-themed restaurant completely out of place, probably).

I also found a lovely stack of Rörstrand - my favourite Swedish vintage platemakers - plates. They cost an euro apiece, and don't clash too badly with my Finnish tablecloth, at least not yet. :)

Since Tuesday I've been floating in a kind of haze - glad that my thesis was so well received, and also so well criticised (after all, that's what this middle work between Master's and PhD is for), and at the same time uncertain of what to do next. My supervisor can probably help me with that, so until our next meeting I'll be killing time between lectures.

Which suits me just fine.

Here's what Kate Bush has to say about it:
 

Context, Cows and the Capital

I spent the weekend in Helsinki, celebrating Fidia's birthday in the usual manner  (but with fewer films this time) and also doing some work on our webpage with Otter and T. Thus in three days I indulged in catching up with a dozen of friends, eating in a rather fancy restaurant, making and helping to destroy a truly sinful chocolate cake, watching some great films, and - as always with Otter and T, planning a glorious future for SHS.

On Sunday I got treated to a side of Helsinki I rarely encounter - and one I enjoy greatly. As the pictures above show, there is more to our capital than concrete and traffic jams and grumpy people; indeed, it also seems to include cows and fields and friendly dog-owners. If I saw that side of the city more often, I might even get to tentatively like the darn place.

Today's been a cloudy day - both internally and weather-wise. I like the bleakness of October when it coincides so wonderfully with my mental state - which is similarly worn-out but at the same time serene and strangely expectant.

What I'm expecting, of course, is a satisfactory ending to my nearly year-long travail with my Licentiate, which should take place tomorrow. And even more than that I'm looking forward to the big chocolate cake I've been promised. :)

Contributing to my bitter-sweet mood has been Aimee Mann, whose soundscapes are perfect for this season. I love her matter-of-fact delivery and inventive lyrics, especially as they are set to devastatingly gorgeous music. Like so: